{"version":"1.0","provider_name":"Art Circulation","provider_url":"https:\/\/artcirculation.org\/en\/","author_name":"arnaud","author_url":"https:\/\/artcirculation.org\/en\/author\/arnaud\/","title":"Caf\u00e9 R\u00e9flexion #38 - \u00c9milie Fortin - Art Circulation","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"WXh9O3butD\"><a href=\"https:\/\/artcirculation.org\/en\/2023\/02\/cafe-reflexion-38-emilie-fortin\/\">Caf\u00e9 R\u00e9flexion #38 &#8211; \u00c9milie Fortin<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/artcirculation.org\/en\/2023\/02\/cafe-reflexion-38-emilie-fortin\/embed\/#?secret=WXh9O3butD\" width=\"600\" height=\"338\" title=\"&#8220;Caf\u00e9 R\u00e9flexion #38 &#8211; \u00c9milie Fortin&#8221; &#8212; Art Circulation\" data-secret=\"WXh9O3butD\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/artcirculation.org\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/artcirculation.org\/wp-content\/uploads\/2023\/02\/Cafe\u0301_Re\u0301flexions_38.jpg","thumbnail_width":1200,"thumbnail_height":675,"description":"The trumpet player, improviser and founder of the Bakarlari collective presents this week a poetic reflection on the bodily experience in musical interpretation, proving once again that, just as in dance, the body is the primary instrument of musicians. Je suis une interpr\u00e8te de formation classique. Qui se doit de ne pas trop bouger lorsqu\u2019elle [&hellip;]"}